fl
TO THK RESCUE : AN EPISODE OF THE CIVIL WARS [Diploma Picture). Ernest Crofts, R.A.
ROYAL ACADEMY
/*/
PICTURES
1898
ILLUSTRATING )t funowo anil (Tljirtidlj (TuInLiitian of tin- itoiml Araormn
BEING THE
Royal Academy Supplement of " THE MAGAZINE OF ART'
CASSELL and COMPANY, Limited
LONDON, PARIS, NEW YORK & MELBOURNE
[Permission to Reproduce the Pictures and Sculptures herein contained has been accorded by Artists and Owners, and Copyright is in every case strictly reserved.]
w I
IS9S
Royal Academy Pictures, 1898.
part 1
A SUSSEX CIDER-PRESS.
11 11 U in* \ 1; A
A WINTER FAIRY.
{By Pei
John MacWhirter, I!. A. Hemrs. Thoma* Agnew and Sons, the On
of the Copyright.)
ON THE PONTE DELLA PAGLIA, VENICE. William Logsdail.
DIANA. T. L; Kenxinotos.
WIXTER FUEL. Ar.THiit A. Friedf.xson.
Ml Ml IRIES \\l' \\ l'|i H'ATInNS.
ll i
PERSEUS. FunyuEicK W. Pom
GOOD KING VVENCESLAS. I e i and uouarch forth Uiej went, forth Lliey wenl together,
ii I; the rudi ■■ nd
.\n 1 the bitter weathi
G. SlIEKlDAN K.VOWLF.8. R.I.
AX (it, D MASTER Cari Si hloesser.
COOKHAM MILL. G. A. Storey, A.R.A.
.'I ■ 30
('
ROSES. W. J. Hucklei
ft I
THE EARL AND COUNTESS OF HARRINGTON. A. s. Cops «h .inns- Charlton.
A DALESMAN'S CLIPPING: WESTMORELAND. Frank Bkasii by, A R.A.
A COUSIN FROM TOWN. W.wn.'.i LakOLEY, 11.1.
12x18
AFTER THE DUEL.
John A. Lumax. {By Permission of Metirs. Thomas Agneio and Sons, the Owners of the C
\.:\ l-\
\ FAIR WIND '"
c. Napii r Hi mi, .vi; a.
EDWARD M. DENNY, ESQ Walter W Obless, U.a.
EVELYN'S ■ sii.va" — VVOTTON, SU1UU Frank W.Walton, R I.
A KING AND A BEGGAR MAID
E. Blair Leightok. (/;.., Permission of ifrstrs. Thomas .1 mew u»«J Sons, '/»■ ' mien nj thi Copyiiyht.)
SACRAMEN'J SUNDA1 ' He to the lowlj -miiI Doth siill Himself Impart.'
[( I WORE I I
MRS. HUGH WELLS AKMSTEAD (Marble). H. H. Armstead, R.A.
[Copj
i i ' • I : I l in
!\ iTv c ise si rici ly ve ei i od
17 ft. x 10 ft.
WILLIAM THE CONQUEROR GRANTING A CHARTER TO THE CITIZENS OF LONDON.
(Presented by the Corporal ion of London to the Royal Exchange.)
J. Seymour Lucas, R.A.
Royal Academy Pictures, 1898.
PART
LOVES ORISONS.
1 Never knlghl more Iravc, never maid mon Ira
tii it \i n E, MoiiiA.
•• » r^sjy . '
.... ■•;,-,
SB
fe
ENDYMJON.
BtOUAT LODDAN,
AMONG THE ROCKS AT TKEVONE (QUARTZ VEIN'S IX THE SLATE).
JOHH IiRETT, A.R.A.
A SPRING 1 l'\ I.. AllTIII III WAIU.I.K.
RESCUED FROM THE PLAGUE, LONDON, 1665. •• 11 was the child of a very able citizen of Gracious Street, a saddler, who had buried all Ihe rest of his children of the Piague; and himself and wife now, being shut up in despair of escaping, did desire only to save the life of this litlli child: and so prevailed lo have it received siark naked into the arms of a friend who brought it (having put it into new Jresh clothes) to Greenwich."— Pepys' Diary.
Frank W. W. To
A COMING SQUALL. Thomas Somerscales.
GRIEF U
A BRONZE MEMORIAL George Fkamptos. A.R.A.
IIAIil.Ks II \T VVH1TELADIES \ l I T 1 : THE BATTLE 01 WORCESTER.
i i I R.A.
THE I!T. HON. THE EARL OF HALSBUEY, LORD HIGH CHANCELLOR [Painted for the Hon. Society of the Inner Temple.)
1 ,1, Ho John Cm i 11 n
THE UNION LIXEK BM1TOX OFF CALSHOT.
W. L. Wyllie, A.E.A. (Ly Permission of the Union Steamship Company.)
MRS. NOEL GUINNESS AND HER LITTLE DAUGHTER
WALTtll OSBORNE, R.B.A,
M g
-
A GILDED CAGE.
' How can a bird that is born for joy Sit in a cage and sing?"
Frederick Goodall, R.A.
CHANGING PASTURE.
COLIS HUXTEB, A. II A.
MRS. FAIRFAX LUCY AND HER SON.
1 I
ALDEltMAN S. A. SADLER. MAYOR OF MIDDLESBROUGH 1806-97 iPresentatim Portrait), Frank Bramley, A.B.A.
MRS. SAMUEL BUTLER. Arthi .11 \ R.A.
EDWARD WOOD, ESQ.
Walter W. Oi lkss, R.A,
WHERE YOU HAD BETTER NOT CUJ1E ASHORE. Jons Breit, A.R.A.
THE GOLDEN HORN. i k Branowym.
S5 - *
a
■a! ■<
feet 76
CHA.1UTY.
Ali iu.l. TUI'.NEB.
THE LOTUS LAND. Hugh G. Riviere.
M ATKKN I TV {Marble)
ARTHUK ■ ■, i :
II \l:r.V MINEAUD, I SQ
i : ■ i
DOUGLAS, SON OF ELMER SPEED, ESQ. Luke Fildes, R.A.
L1LIICA, DAUGHTER OF LIOJJERT IVEMYSS sw\\ | Q
\y, it. a
OCTOBER.
Staxhope A. Forbes, A.RA.
[< '<•]'} i ighl i- in every case trictlj i
L()VE TRIUMPHANT.
< .1 .1. P. Watts, R.A.
Royal Academy Pictures, 1898
PART III.
IDLENESS. John da i
PHYLLIS IS MY ONLY JOY. J Seymour Lo as, B.A.
THE DESCENT FJtOM THE CIIOSS. RnrE.ii C. \\". Busst.
KISE AT TWILIGHT.
Jl'Ul > I
MISS IRENE BLAIR. Luke Fildes, R.A.
JOHN LAWRENCE, ESQ., M.F.H. tfV. .,., r John Ch iblto
S a
J
& {
/'
t
:*>
& ,''
V
' V
%
! -'
JUSTICE. {Part of the Monument to the late Maharajah of Mysore.)
E. Osslow Ford, R.A.
THE CITY OF NEWCASTLE-ON-TYNE.
Nun M. Lund. [By Permission of Mem*. Wmvmn, Swan and Morgan, oj Newcantk-on-Tyne, the Owners of the Copyright
50 > I"
PICKERING PICK, ESQ. Consult ing Surgeon in si. George's Hospital.
Phil I! Uorri 1 H \
l- 10
1111. \M II \ I M VKINER.
' When that strange shapo drovi id enlj Betwixt ua and the
95
M . 1 1. « . i i
LADY DOUGLAS-POWELL.
G. S. WaI.m.S.
BRACKEN".
II. II. I.A lll.M.l ,. \.[(.A.
[lij Ptrmittion of ilturt. Thumai Ayntic and Soiu, the Oioniri vj the C ■ ,
LAKE OF GENEVA FROM CHEXBRES. " Clear, placid Leman."
John MacWhibter, R A.
98
BREAKERS AHEAD.
ARl'IIVR J- ELSLEV
[By Permission of Messrs. Eyre and Spottitwooie, Her Majesty's Printers, the Proprietors of the Copyright.)
3 feet
JOH.V PASSMORE EDWARDS, ESQ, (A **»• fte CamberweU Museum and School of Art (£,
0 DUO] I i i, ,,, . \ fj ^
I I
w I
THE ASH-GROVE. George D. Leslie, R.A.
nil 111 n:i:.
Si isiiopi \ I . i , i \ i: \
MISS PHOEBE JOHNSON. Hekrv T. Wells, B.A.
54x41
ALDERMAN J. a. SKINNER, .1.1'.. EX-MAYOB OF EASTBOURNE. li Uackei Lit. A.
THE ROOM WITH THE SECRET DOOR. Jessie Macgbegor.
HAGAR.
Al i Toi
THE ELF. w Gosi ombe John
OLIVIA UNVEILING. " Viola. Good madam, let mo sco jour face
"',!!"ui ]uZ \z lz ;:;'',"T "' you? lord s° neeottate witi1 '»>■ f«« ■ v.... -
such one I v ,, will draw cue curtain, and jlio
such a one l was this present, b'l nol well donel v(„,u,
w. 1'. r,
l; \
a \'i
S5 m
ON THE UPPER WYE. II. W. I!. Davis, HA.
THE GODMOTHER.
CEOjtnn Hitchcock,
ST. GEORGE AND THE RESCUED MAIDEN.
Henry C. Fehb.
[Copyrighl is m everj case trictlj reserved.]
J. ■■- - •• *
THE LAMENT FOR ICARUS.
Herbert J. Draper. (Purchased by the President and Council under the Terms of the Chantrey Bequest.)
Royal Academy Pictures, 1898.
PART IV.
IN" REALMS OF FANCY
S. Milton Fisher.
{Purchat.d bn the Pretident and Council under the Tcnnt of the Chantry
CHILDREN OF THE CHAPEL" (CHAPEL ROYAL, ST. JAMES'S PALACE). William F. Yeames. R.A.
NIGHTFALL.
II. H. I.v I'iusmi A R A
SIM*;
. ^Mmmf
THE HILLS OF SKYE, FROM LOCH DUICH.
Colin Hunter, A.R.A.
THE STORY. Frank Biianowyn
VISCOUNTESS POKTMAN.
A. 8. Uul'E.
A STUDENT OF NECROMANCY. Val C. Prixsep, R A.
THE BT. HON. WILLIAM COURT GULLY, Q.C., Ml'. SPEAKER OF THE HOUSE OF COMMONS. (Painted for tlu Hon S i iety oj th Tnn< r /'■
Till II '- JOB . I
ONT A SL'XXY AFTEKXOON. T. Sidxey Cooper, R.A.
AFTER KAIN (irater-Colour). C. Napier Hehy, a. It. a.
I\ FIELDS ELYSIAN. Then blinded Death i ould rteal ibou! unhi eded For in those flelda the bcj the I never
in i i . t i i
THE EARL OF PEMBROKE. nnNRY T. Wells, R.A.
'Of Truth dnlh here this truth appeare Withouten al disgyse, How men do stryve wyeh are y-lyve To ehutte her from their eyes. "
BYAM Shaw. (Cy Permission of Messrs. Dowdeswett and Dowdeswelles, Limited, thi Owners of the Copyright.)
a ENIGHT-ERRANT GiLBKm Bayi
I'LL THROW ifOI '
H, C hi ii in, i{.;.
II.-.
THE MEETING OF BURNS AND SCOTT
C. Martin Hardie, R.S.A. (A Photogravure of this Picture is published by Doit and Son, Edinburgh.)
42x54 146
THE ADORATION OF THE SHEPHERDS. James Clark.
Life-size
EVE. Thomas Ba I i
THE BATHEP
\V. Ua I I ; \
THE DUCHESS OF SOMERSET, IN A DRESS AS LADY JANE SEYMOUR. >S;r Edward J. Poynter, P.K.A.
Q, II. u M. 1. 1 IMS) IN, ESQ., J.P,
\ i ■ 1 1 1 ■ i .. Hacker, LB \
-
< -3
S 5*
KATWIJK DUNES.
F. Stuart Richardson.
CHRIST AND THE LITTLE CHILD (St. Luke ix. 47, 48; St. Matthew xviii. 2-4).
George W. Joy. (Covyritjht by Franz Hanfutaengl, 789S, by whom a Photogravure wilt be imied.)
JOHN AIIID. ESQ.
I.i I . . K.A.
ON THE THRESHOLD OF THE CITY, JUNE 22, 1897 Solomon J. Solomon, A.R.A.
OPEN PASTURES.
Frei. JIilner,
A DRINKING -HORN AM) STAND
ff, fli '
COLONEL MOUNT BATTEN. James Sast, R.A.
TROUBLE.
■ ■ ■ : ■
prmoHT.
■ I mv Pictures, 1808.
*LJ*C
m
®«m**
■* *»
'
R<
Royal Academy Pictures, 1898.
part v.
56 < 56
JOHN RIDD'S SECOND VISIT TO l,'H:\\ DOOM! •■ By the Bide ol Ihi tn am he wo I i, even i clmp. xvi
V, il VI IIM.M I . R.I
[Copyright is in ever} case strictly reserved.]
A HALT IN A GLEN.
T. Sidney Cooper, R.A.
LORD MIDDLE'!' >X. Walter UrwiciC
33x27 • Shall I. wasting in despair, Die because a woman's fair ? . If she think not well of me, What care I how fair she be?"
(A Photogravure will be published by Mr. Arthur Burehett.)
SIR GEORGE FAUDEL I'll II. I. ITS. BART., O.CS.1
166
^ I J
O I »
X
- 7 3 <
ONE SUMMER'S NIGHT.
J. Noble Baklow.
25x31
172
TWO HEADS ARE BETTER THAN ONE. Fbed Roe.
A HI I ill GIRL Val I I'm i H \
HARVESTERS AT SUPPER.
II H. La Than.uk, A.R.A. [Eg Permission of Messrs. Thomas AgneK ami Sons, the Owners of the Copyright.)
A SHAFT OF LhJHT. Edward G. Hodley.
(iG 18
THE ANGEL OF THE GRAIL.
Charles F. M. Cleverly.
THE MAGIC MANTLE. A little boj came to the Courl of King Arthur with a magic mantle, which mo wife could wear who was aol tiac io her lord.
I. L. Gl "°
w
Ha
|
T. |
|
|
w |
|
|
y. |
m |
|
^ |
o |
|
a |
"n |
e I M
181
WORCESTER.
Stuaet Lloyd.
BEN CRUACHAN AT SUNSET.
ALtBEU l'miiST.
KNOWLEDGE. [Part of thi Monument to tlh lati Maharajah of Mysore.)
1 " '■ OIID, 11. A.
3 ;i
184
- z z
-31
DO ' w 2 -|
■
187
-
'A
X =
a 7
TELEMACHUS AT THE HOUSE OF MEXELAUS.
"In the heart of Telemachus he stirred a yearnins to lament his father . . . And Menelaus marked Lin), and mused in his mind whether he should leave him to speak of his father. While yet he pondered these tilings in his mind, Helen came forth from
her vaulted chamber."— Odyssey, book iv.
Thomas H. Spenck.
34x44 1!I4
RETURNING HOME AT EVENING. 'One mourns that day so soon lias glided by.
Ahthuh H. Hi i hi am,.
JULIE, DAUGHTEU OF SPENCEK M. GOLLAN, ESQ
Jamks Sam, If. A.
T. Eyre Macklin. (Copyright by Franz Ilan/stacnpl, 1898 )
CIRCE.
Richard Jack.
30x41 196
MAY THE FATES PROVE KIND!' C. Haioh Wood.
r
L
OUT IN" THE COLD. Claude Haves, k.i.
INDEX.
Artist
Al.AMS. J. CLAYTON . A I LAN, R. W.. R.W S AlCMSTKAIi. 11. II., H.A Au.MONIEH, J., H I. .
Barlow, .1. Noble Bayes, i ;n in in- ,
III lllil 1 1 A . Si ANI.KY . HOI OHTON, GEOEQJ III,'
ilKAMl 1, , I.IA.NK, A. H.A.
Bbanqwyn, I'kank .
llllKMi 11 1111,, W. A.
liiuni, .John, A. H.A
Brock, Thomas, B.A.
BEOWN, A I: VI snv BbOWNE, II. II.Minis .
Bui ki wii. \i:nii i ii BUNDY, Edoae, B.I. Bunny, Rotebt i '. \v.
Caffiebi, H., B.I, Caldebon, W. r
CAl n. HORACE II. Charlton, John.
Titli of Work. Heather ......
Winter Storm
Mr-. Hum, Wells Armstead (Marble' Jiuat]
\ w ide Pasture . . . . . .
• toe Summer's Night
A Knight-En ml
" '■ ■•"- ;""l Grej to the I ronl " An [m idi ill il Waterlo
(Catherine, Daughti r ol John Robb, Esq.
Dorothy, Daughter of \\ . II. Kendall (irimston I q
I'll1, Road to ' lamelot
\ I lalesman's ( llippiug : Westmori land
Uderman S. V Sadli r, M a) I Middlesbrough I -
Thi i (olden Horn ....
Story
toriea
mg the Roi >■ il rrevosi Quun i^eiii
ire you had bettei no! i ome a hon North i
one Bay (North w i ti rh Showei
o i Bead wall
The Righi Ri i I i, Bi hop ol Bmmau Returning Komi ai Evening Limboed .... The I leaci nt from the Cross
'■ I'll throw you in" (II
The Creel i the Hill .
Reflection
The Earl and I bunt Karringl a
John Law rem e, Esq., M.F.H. .
L97
|
582 |
150 |
|
192 |
16 |
|
140 |
in |
|
.'il |
|
|
1 12 |
172 |
|
1951 |
145 |
|
IK. |
113 |
|
146 |
|
|
'171 |
1.1 |
|
216 |
in? |
|
o |
25 |
|
66 |
|
|
218 |
|
|
132 |
|
|
188 i ■■. |
117 15 |
|
148 |
104 |
|
l'.'l |
|
|
H |
117 |
|
187 |
|
|
Ins |
|
|
I'M |
|
|
88 |
|
|
85 |
|
|
1133 |
ll.'i |
|
11 |
|
|
88 1 |
Jl |
|
87 |
Artist.
Clark, .Tames . Clausen, George, A.R.A. Cleverly. Chaxi.es F. M Collier, Hon. John .
Colton, W. B. . Cooper, T. Sidney, HA.
COBBET, M. Ridley . Crofts, Ernest, A.E.A.
Crowe, Eyre, A.E.A.
Da Cojta, John. Davis, H. W. B., E.A.
Dicksee, Herbert Uollman, J. C, B.I. Draper, Herbert J. Drury, Alfred .
East, Alfred, E.I.
Faiiouiiabson, David Fehr, Henry C. Fildes, Luke, E.A.
Fishes, S. Melton . Fletcher, Blandford Forbes, Elizabeth Stanhope
Forbes, Stanhope A., A.E.A. Fosd, E. Onslow, E.A.
Ford, Rudolf Onslow Foster. Gilbert Fkampton, George J., A
Friedenbon, Arthur A. Fhith. W. P., R.A. .
Glazebrook. H. de T. Gloag, I. L.
GOETZE, SlGISMUND .
Goodall, Frederick, E.A
Gotch. T. C.
Hacker, Arthur. A.E.A.
Harcourt, George . Hardie, C. Martix. R.S Harper. Edward S. . Hatherell, W., E.I. Hayes, Claude, R.I. Hayes, Edwin, R.I I. A., R Hedlf:y, Ralph . Hemy', C. Napier, A.R.A
Herkomer, H., R.A.
Hillingford, Robert Hitchcock, George . Hobley, Edward G. Hunter, Colin, A.R.A.
Hunter, J. Young
Jack, Richard . John, W. Goscombe
Title of Work.
The Adoration of the Shepherds The Harrow .....
The Angel of the Grail
Trouble
The Earl of Halslmrv, Lord li.gii Cliancelloi . The lit. Hon. William Court Gully, Q.C., M.P.. House of Commons .....
The Girdle
A Morning in Autumn
( hi a Sunny Afternoon ....
A Passing Cloud
The Halt in a Glen
The Earl and Countess Harrington .
Speake
Vise Flui
Spi
Charles II. at Wniteladies after the Battle <>f Worcester To the Rescue: An Episode of the Civil Wars (Diploma II .lanes 11. at. La Hogue, May, 1(392
Idleness
A June Evening
On the Upper Wye ....
"Under the Greeuwood Tree" . . . . . .
"A fellow-feeling makes one wondrous kind ' (Klchimj)
The Awakening of Titania
The Lament, for Icarus
Even {Bronze Statue)
Opulent Autumn
An Evening Song
Summer in Holland
St. George and the Rescued Mai. lea. Douglas, Son of Elmer Speed, Esq. .
Miss Irene Blair
John Aird, Esq
In Realms of Fancy
Sacrament Sunday Imogen .
' And Hop-o'-my-Thu
wood" . : Ictober. ......
The Letter
Portrait of a. Gentleman (Bronze Bust) E. Homan. Esq. {Bronze Bust) . Mrs. E. Homan (Bronze Bust) . Justice ■
uidod his brothers safely through tl
Knowledge .......•••
Landscape : A Lock ....
Whispering Eve . .
A Bronze Memorial ......■■
John Passmore Edwards, Esq. .
Winter ......•■•••■
( llivia Unveiling
A Recitation by Miss Leonard
The Magic Mantle
Eloquent Silence .....-■■•• Driving Home the Geese: An Egyptian Village on the Banks <
the Nile
A Gilded Cage
Anderson Critchett, Esq., M.A., F.K.C.S
The Ancient Causeway leading to the Pyramids .
The Artist's Daughter
The Children of L. Breitmeyer, Esq.
The Awakening
Mrs. Samuel Butler
Memories
Alderman J. A. Skinner, J.P., ex-Mayor of Eastbourne
G. H. Williamson, Esq., J.P
Mrs. Bnrue
Mrs. Fairfax Liny and her Son
The Meeting of Burns and Seott
A Brigand
John Ridd's Second Meeting with Lorna Pooic
Out in the Cold
Weighing Anchor : Zuvder Zee ....
The Threshing Floor
A Fair Wind (Water- Colour)
Wreckage ........ ■
After Bain (Water- Colour)
Clovollv Pier (Water-Colmvr)
The Guards' Cheer : I Irimean Veterans of the Guards cheering II
Majesty the Queen during the Diamond Jubilee Procession Summoned to Waterloo : Brussels. Kith June. 1815— Dawn .
The Godmother
A Shaft of Light
(.'hanging Pasture .........
Bringing Home the Bracken
Still Evening
The Hills of Skve, from Loch Duich
Edith Mary, Daughter of X. Macmichael, Esq. .
Cii
Catalog! ISO 552 918
922 270
903 111
930
S72
986 1831
220 343
519 152
365 1881 1934 1933 1861 1866
932
21
1863
1950
146 189
175 19 56
135 114 116
83 105
170
192
122 71
78 86 157 123
80 107
94 183 200
93
|
279 |
67 |
|
2! IS |
102 |
|
4114 |
109 |
|
52S |
149 |
|
920 |
192 |
|
967 |
65 |
|
535 |
146 |
|
334 |
127 |
|
941 |
163 |
|
971 |
197 |
|
548 |
139 |
|
931 |
21 |
|
025 |
27 |
|
529 |
75 |
|
029 |
136 |
|
1117 |
l |
|
261 |
65 |
|
380 |
113 |
|
450 |
130 |
|
314 |
132 |
|
195 |
127 |
|
351 |
196 |
|
1960 |
110 |
INDEX.
Jobs, W. i l< a asm . Johns >v, C. E., R.I. Jot, Geoboe \v.
Kemp-Welch, Lucy E. Kensington-. T. B. . Kim;. Ykf.ni>, K.I. .
KnOWLES, (i. Sheridan. K. I. Koe, Laurence .
l.yxoi.ey. walter, r.i. .
Lantebi, Ed.
La Thangde, H. H.. A.R.A.
Leader, B. W., R.A.
Lehmann, Ii. Leighton. E. Blah: . Lemon-. Abthub . Leslie, G. D.. R.A
Lloyd, Stuabt . Logsdail, W. Lomax. J. A. LOUDAN, MoUAT . Lucas. J. Seymour, R.A.
Lucas, Marie Seymour Lucchesi, A. C. Lund. Niels M.
Macbeth, R. W.. A.R.A. Macgregor, Jessie . Mackennal. Beetkam Macklen, T. Eybe . MacWhxrter, J., R.A.
Margetsox, W. H. . Meade, Abthub, R.B.A. Milner. Freii . Moira. Gerald E. .
MONTALBA, Hilda
Morris, 1'iiil R.. A.R.A.
Mostyn, Thomas, R.B.A.
Muck iky. W. J. Murray^ David, A.R.A.
Xatorp. Gustav . Xicot.. ,T. Watson
OLIVIER. HeRBEBI A.
I II.ssOX. .ll'I.IUS. R.B.A. .
Obchabdson, W. (>., R.A. Osborne, Walteb, R.H.A. Oulkss, Walter W., R.A.
1'arton. ERNEST
I'i ii .I' i.. I; v 1 1 -i i I'"-.!) boy, F. W. r.i', \ i be, Sib Howard. P. l: \
I'kii i . \ i i BED . Pbinsep, Vax I'.. R.A.
Raphael, Mary I.. . Reed, John R. . Rich uaDSON, I Stuabi
I ; i v 1 1 i ■ i . I ; i i : i 1 1 \ Hivm ri . II i on G. Robinson, M. i > w e bj Roe, Feed .
1,'oNS II, III NKIKIIK .
Sadler, W. Dendy . Sant. James, R.A.
I Work.
A Drinking II .rn and SI md - Throuj i ....
Christ and the Little Child
To An..-: . 1 liana
Milkmg-Time Blackmore Vale . Good Kii - Sappho . . . ,
The Cousin from Town The Fisherman and the A Sussex ' lidei Press. Bracken Nightfall
it Supper .
A W.
Surrey Sheep Pastures ....
My Hall
A King and a Beggar Maid
Work Oxen returning to Pasture, Populonia
The Ash Grove . . ...
Arlington Row, Gloucestershire
Wi to ster .......
i in the Ponte della Paglia, Vei
Aftei the Hud
Endymion .......
Will ia in the Conqueroi g ting a I liartei to thi
C. F. Cory-Wright, Esq., .1.1'.. D.L " Phyllis is my only joy " Evensong
!!■ Cra li of Doom ..... Tin- City of Newcastle-on-Tyne
Sparklets
Tin' Room with tin' Secret Door
Grief
Ripe ... .....
A Winter Fairy
Morning in Ati.ni : "All in the blue unclouded
Vil D'Aosta
Lake of Geneva from Chexbres
The Enchanted Shore ....
Th" Landing of the Danes in Dorset Open Pastures ......
Love's Orisons ......
On the Venetian Lag ■ >ns
The Return of the Dove ....
Pickcrins; 1'iik. Esq. . . .
Th.' Cloud
Roses (Water-Colour) .
Above the Mill . '
Old Shoreham
A Summer Day
Flowers of the Field
nun
■• Shall I. wasting in despair, Die because a woman
If she think not well of me, What care 1 how fair she be?
In Fields Elysian
Moourise at Tw ilighi
Trouble .
Mrs. Noel Guinness ami her Little Daughter
Mrs. Charles Hoare
Edward M. Denny, Esq
Wilham Tunstill, Esq
Edward Wood, Esq
The End of the Like .... The Banks "t tin. Avon ....
Ethel
Perseus a- a Symbol oi thi libduing an. I res The Duchess oi 3omi raet in a Dn i
Bi a Cruachan at Sunset .... Waiting for the Sands
A Studenl oi Net on i • ...
A Dutch Girl
Brit. .malt :Del Am .of
Siding the Desi
Katuijk Dim.-
Ii.. Temptation in tl
I In I .in Laud
Me \ at Marinoi
Two Beads are Betto i tliau I tin
M. mi .i ii or . ', patioi
fane Sevm
■ Little M .....
I .in -
I I . 1 1 Baron Dcichmaiui
I M it-Batten ....
Julie, 1 1 in, Esq.
ISM
929 L23 29
111 is
188 952
sl7
■1 I . 534
sic
1967
ICil
206
'J 10 134
''in
Io;r,
:;'U
OS',
IS'.
mi
28
111
2G
l!tl
To
: rn 18
Ul.i I oil 188
18
71
177 110
inc. 6
142 159
91
1SS
317 243
137
85 ontispiece
•"o 22 36
1964 215
lis IS'.'
1S1
1 III i en
i 'a:,
i 9
i
INDEX.
Artist sohloesser, cael Shaw, Byam
Sim-, i Iharles . Solomon, S. ,!.. A.li.A.
Siilir.I.i'll.l 3, I'll.'MAS
Speed, Harold . Spenoe, T. R. . Staekik, Ehytii . Storey, G. A., A.R.A.
Stott, of Oldham. William swin'wick, h., r.i. . Symuxds, W. R.
TaYLEE, A. ClIKVALLIEK .
Thornycroft, W. Hamo, R.A,
Topham. F. W. W., R. Tuke, Henry S. Tuenep., Aleeed
Urwick, Walter
Walker, A. G. . Waller, Mary L. Wallee, S. E. . Walton, Frank, I'.li.l Waeijle, Arthur Wati.rlow, Ernkst A., P.
Watson, G. Spenuer Watts, G. F., R.A. . Wells, H. T., R.A. .
Wktherbee, George, R.I. Wiruman, '1'. Blake. Wollen. W. I!., R.I. Wood, C. Haiuh Wyllie, W. L., A.R.A.
Yeames, W. F., R.A.
Title of Work. Ail Old Master ....
Truth
The Queen of Spades {Water- Colo
A Fairy's Wooing
On the Threshold of the Citv, June 22nd
Sir George Faudel Phillips, Bart., G.C.S.
A Coming Squall ....
Harry Mineard, Esq. ....
Telemachus at the House of Menelaus Cecilia .......
Odney Mill {Water- Colour).
In Evening Shade ....
The Happy Valley ....
An Old Farmyard ....
Lilika, Daughter of R. Wemyss Swan, Esq
Sisters: "A sorrow's crown of sorrow
things "
Sir George Gabriel Stokes, F.R.S. Miss Rosalind Thomycroft . The Bather . . ' . Rescued from the Plague, An Idyll of the Sea . Charity.
Lord Middleton .
Maternity
Vivian, Son of S. George Holland, Esq.
Safe ....
'• Evelyn's Silva " — Wotton, Surrey
A Spring Idyll .
Summer Afternoon
Through the Wood .
A Moorland Road
The Lonely Church
Lady Douglas Powell
Love Triumphant
Miss Phcebe Johnson .
Audrey ....
The Earl of Pembroke
Miss Ethel M. Hale .
A Placid Stream .
Mrs. Henry Fawcett .
The Last Stand of the 44th Regiment at
" May the Fates Prove Kind ! "
The Union Liner Briton off Calshot
The Harbour Bar
Commerce and Sea Tower .
Entrance to Barry Dock
R.Y.S. Valhalla '. . . .
"Children of the Chapel" (Chapel Eoyal, St. James's Palace)
|
Catalogue. |
rage |
|
C66 |
16 |
|
342 |
145 |
|
1026 |
191 |
|
209 |
31 |
|
625 |
158 |
|
403 |
165 |
|
959 |
53 |
|
363 |
77 |
|
358 |
194 |
|
294 |
168 |
|
1032 |
17 |
|
130 |
72 |
|
014 |
. 143 |
|
401 |
20 |
|
042 |
79 |
|
910 |
193 |
|
1937 |
88 |
|
1927 |
92 |
|
1966 |
147 |
|
030 |
52 |
|
021 |
90 |
|
1830 |
76 |
|
258 |
164 |
|
1868 |
77 |
|
913 |
180 |
|
500 |
185 |
|
453 |
37 |
|
647 |
45 |
|
158 |
73 |
|
576 |
115 |
|
427 |
126 |
|
238 |
190 |
|
619 |
96 |
|
310 |
82 |
|
3 |
10S |
|
193 |
114 |
|
233 |
144 |
|
137 |
18(1 |
|
232 |
155 |
|
541 |
101 |
|
140 |
12S |
|
57 |
196 |
|
550 |
57 |
|
883 |
100 |
|
210 |
154 |
|
886 |
106 |
|
937 |
184 |
|
187 |
124 |
ANDSCAPE : A LOCK. Rudolf Onslow Ford.
Printed by Casskll * Comf
l,\ Belle Sai vaoe, London, E.C.
7
3LOVELLY PIER (»Po( i C. Napier Hi u , \ i: \
THE ROYAL ACADEMY EXHIBITION, 1898.
INTRODUCTION.
For the first time for several years it becomes bhe pleasant duty of the critic to bear witness to the quite unusual interest of the annual exhibit -an improvement in general character which has been acknowledged on every band This improvement it is satisfacton to recognise, is not due to the superlative merits of any particular works in painting or sculpture. A few such, in actual fact or by comparison, arc to be found in every annual Academj exhibition; and it is they, ii is true, which are commonlj held to give the tone to the whole and, so to speak, to mark the time of its onward march. But this year, more notably than in the recent past, the phenomenon of conspicuous advance is as clearlj seen anion- the rank and file as among those who arc recognised bj right of reputation and talent as unchallenged leaders.
And yet this advance is perhaps not so much thai of actual accomplishment as of intention, made evident by a quality of vivacity, energy, and purpose, the more remarkable as the recent disappearance of those who have hitherto sustained the high watermark of English art might have been expected to result in the lowering of the standard. Yet the opposite appears to be the case; encouraged and actuated in some sort l>\ the law of compensation, the younger men have risen in the occasion which opportunity has offered.
A curious circumstance which will probably be noticed by ever} visitor to the A.cademj is that, witb a partial exception, nearlj every picture contributed bj French artists of wide reputation characteristic though it maj be, utterly fails to hold its own in the exhibition. A.1 the same time, ii is gratifying to realise that even those artists who have received their education in France and have thus become the Anglo-French wing of the English school have succeeded in extracting the full benefit of their foreign training without sacrificing their individuality, and,
INTRODUCTION.
above all, without stumbling into the pitfall which the very merits of the French system prepares for the unwary. These painters form, indeed, a brilliant phalanx, among whom Mr. Waterhouse, Mr. Clausen. Mr. Stanhope Forbes, Mr. La Thangue, and Mr. Brarnley are among the most distinguished. No one could mistake their pictures for the work of Frenchmen, as is commonly the case with the French-taught artists oi nearly every country. The same can hardly, perhaps, be said of Mr. Sargent and Mr. Shannon. As Americans, their receptivity is, no doubt, more sensitive and greater in proportion as their racial individuality of temperament is less: more elastic and self- adaptive, they have greater facility in assimilating the virtues they seek to acquire, but in so doing they sacrifice to no slight degree their national personality, which, whatever its defects may be, must always remain one of the most interesting and most valuable qualities in a work of art. It is difficult to say in what particular section of art the present Academy excels. There is so much that is interesting in every section save, perhaps, in that of serious painting of the nude;
for alike in the departments of subject- and figure- painting, of portraiture and landscape, of sculpture and water-colour, the standard is kept with remark- able equality, and. it may be added, with piquancy. Of all of these sections an accurate representation will be seen in the following pages ; and if it be found that the collection is not entirely complete, the lacunae must be attributed to commercial or other considera- tions on the part of the artist, and not to lack of zeal on that of the editors, nor of enterprise on that of the publishers. Moreover, as has already been sug- gested, the absence of a few specific pictures is this year of less moment than has been the case on pre- vious occasions, when a handful of leading works would practically monopolise the main interest of the exhibition.
In one respect a publication such as this holds the advantage over the exhibition of which it is but, an echo. It annuls such blunders or injustice of hang- ing as are inseparable, it appears, from every great exhibition, however well conducted, and sets before the public, with equal courtesy of respectful intro- duction, every work with which it deals. Whether or not the original be "skied" on the walls of the Aca- demy, the reader has here no greater difficulty in judging of its merits than of the favoured canvas on the line, while the size of the pictures printed under each reproduction enables him to make a fairly accurate estimate of its relative importance. This is the ad- vantage which we must set against the natural draw- back involved in the inevitable sacrifice of colour. Photography is the great leveller of art, sweeping a concealing hand impartially over merits and defect's: and a work such as this may fairly claim to be, in some sort, a mirror of the year's art, not only serving as a record, but possessing, it is claimed, artistic merit beyond what it has hitherto possessed.
The sculptural works— at least the finest of them— may not be the most elaborate, such as are produced in France and Belgium; but the spectator must bear in mind what is so often forgotten, that whether in painting or in sculpture, as in literature, it is more difficult to transform a single figure into a fully-expressive work of art than to fashion a group which, by its complication, oilers adventitious opportunities to the artist to produce an effect.
It is, perhaps, impossible to assert that any young man's name, hitherto unknown, has this year sprung suddenly into the light; but what is of far greater and more encouraging significance is that a number already favourably known— such, for example, as Mr. Hugh Riviere— have given evidence of effective advance in their art. This is the really striking and gratifying note of the exhibition of | .vis— this is the hope that is being brightly realised by the expiring century.
M. 11 SPIELMANN.
THE GUARDS' CHEER: CRIMEAN VETERANS OF THE
GUARDS CHEERING HER MAJESTY THE QUEEN
DURING THE DIAMOND JUBILEE PROCESSION.
II ill III RKOMER, R A.
,,, the Vine Art Society, thi <<"■>■
<y il, , Copyright.)
N Roy —ted
1
R68
1898
PLEASE DO NOT REMOVE CARDS OR SLIPS FROM THIS POCKET
UNIVERSITY OF TORONTO LIBRARY
t
■ —
■
:
i
.
•
.
!
■ ■
■■?.■ -
-
/;
.
.
j ( , ; ;, c . f (
'
.
'
m> - mm
i
■